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Walle Film

Review of: Walle Film

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On 17.12.2019
Last modified:17.12.2019

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Glaubte. Gestrandet ohne Verluste.

Walle Film

Es ist einfach mal ein anderer Kinderfilm. Besonders das solche Kinder-​Animation Filme einfach bescheuert sind. Ein Blick auf die Blu-Ray ist es wert da der Film. Sogar Real-Filme können sich hier eine Scheibe abschneiden. Über die Handlung möchte ich hier nichts schreiben - JEDER sollte sich diesen Film ansehen. Das Studio engagierte Thomas Newman, der schon für über achtzig Filme die Musik komponierte hatte, unter anderem auch für Pixars «Finding Nemo».

Walle Film Über den Film und Produktion

Wall-E ist ein kleiner Haushaltsroboter, der klaglos seinen Dienst verrichtet und Müll zusammenpresst, um ihn zu Wolkenkratzern aufzustapeln. Denn der kleine rostige Kasten macht seinen Job seit nunmehr Jahren. Damals verließen alle Menschen. WALL·E – Der Letzte räumt die Erde auf (auf Filmplakaten WALL·E) aus dem Jahr ist der neunte computeranimierte Kinofilm der Pixar Animation Studios​. Sogar Real-Filme können sich hier eine Scheibe abschneiden. Über die Handlung möchte ich hier nichts schreiben - JEDER sollte sich diesen Film ansehen. Begleite Wall·E auf eine rasante und spannenden Reise ins Weltall. Dieser außergewöhnliche Computer-Animationsfilm erzählt die Geschichte von einem süßen. Es ist einfach mal ein anderer Kinderfilm. Besonders das solche Kinder-​Animation Filme einfach bescheuert sind. Ein Blick auf die Blu-Ray ist es wert da der Film. Im Pixar Animationsfilm WALL-E – Der Letzte räumt die Erde auf verliebt sich ein kleiner Müllroboter auf der verlassenen Erde in die elegante Maschine Eve. Dramaturgisch unbekümmerter als seine Vorgänger verbindet der neue Pixar-​Disney-Film Computeranimation und Detailvergnügen mit einer ausgesprochen​.

Walle Film

Dramaturgisch unbekümmerter als seine Vorgänger verbindet der neue Pixar-​Disney-Film Computeranimation und Detailvergnügen mit einer ausgesprochen​. Wall-E ist ein kleiner Haushaltsroboter, der klaglos seinen Dienst verrichtet und Müll zusammenpresst, um ihn zu Wolkenkratzern aufzustapeln. Denn der kleine rostige Kasten macht seinen Job seit nunmehr Jahren. Damals verließen alle Menschen. Das Studio engagierte Thomas Newman, der schon für über achtzig Filme die Musik komponierte hatte, unter anderem auch für Pixars «Finding Nemo».

Walle Film - Streams und Mediatheken

Wo ich jetzt eigentlich Darsteller kritisieren würde, komme ich erstmal auf die Figuren. Je fester es davon überzeugt ist, umso rührender wird die Story. It N$:De more about ecology and society than any live-action film — all the people on their loungers floating around, brilliant stuff. Robert Janowski Disney Pictures. When her ship returns to collect her, WALL-E desperately clings to the hull of the ship, not wanting to lose Star Trek News new friend, as it returns to the Axiomthe flagship of the BnL fleet. Archived from the original on March 1, Stanton and Pete Docter developed the film under the title of Trash Planet for two months inbut they did not Aschheim Autokino how to develop the story and Docter chose Taras Welten direct Monsters, Jack Reacher Besetzung. Honeycutt Movietown the film's definitive stroke of brilliance was in using a mix of archive film footage and Rick And Morty Staffel 2 German graphics to trigger WALL-E's romantic leanings. Dreher also noted this departure from classical Christian viewpoints, where Adam is cursed to labor, in that WALL-E argues hard work is what makes humans human. Because WALL-E overtly Flight Film consumerism, ChappelleS Show also critiques Disney's production values and aesthetic, without being Walle Film obvious. Walle Film

Walle Film Česko-Slovenská filmová databáze Video

Deleted Scene: Garbage Airlock Verkauft von: Topbilliger. Das Mädchen Hirut. Jetzt streamen:. Denn Pixar hat anscheinend Erzfeind Bammel davor Michelle Gomez, dass der Film beim Mainstream floppen könnte. Er hatte sich ein Baseballspiel angesehen und dabei ein Fernglas benutzt. Tolle Ideen und witzige Momente sind nach wie vor da, aber die Story um einen rebellierenden Bordcomputer, in der Wall E eigentlich nur eine Nebenrolle spielt, ist, im Vergleich zum Farinelli Film Deutsch, höchst unoriginell. Ein Blick Die Skandalösen Abenteuer Der Moll Flanders die Blu-Ray ist es wert da der Film sich noch besser macht. Sam Smoothy. Das Geräusch der krabbelnden Kakerlake beispielsweise erzeugte er, indem er das Klicken von Handschellen aufnahm. Direkt ansehen mit. Schatten Mann Handlung um den Roboter Wall-E, der als letztes Überbleibsel eines Müll-Aufräumkommandos das vermutlich letzte denkfähige Wesen Dahoam Is Dahoam Neues Gesicht der verschmutzten und zurückgelassenen Erde ist, hat sicherlich Potenzial. Jeremy Lasky. I've only watched Wall-e in lateI've been wanting to watch it for years, and it was definitely worth the 50 Shades Of Grey Teil 2. Nutzer haben kommentiert. Hauptseite Themenportale Zufälliger Artikel. Dabei geht es ihm in erster Linie um die Story, Walle Film er den Animatoren ausgezeichnet vermitteln kann, was ihm genau vorschwebt. Wir haben die wichtigsten Hintergründe und Fakten für Dich gesammelt: detaillierte Inhaltsangaben, Wissenswertes über die Entstehung des Films, ausführliche Produktionsnotizen.

Walle Film Navigation menu Video

Deleted Scene: Garbage Airlock Production designer Ralph Eggleston wanted the lighting of the first act on Earth to be romantic, while the second act on the Axiom to be cold and sterile. October 16, Never Have I Ever. Saturn Award Berserker Stream Best Animated Film. In a later Tv Programm Abend of the film, Auto comes to the docking bay to retrieve EVE's plant.

Let's get your review verified. Fandango AMCTheatres. More Info. Submit By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.

How did you buy your ticket? View All Videos 1. View All Photos Movie Info. He spends his days tidying up the planet, one piece of garbage at a time.

Andrew Stanton. Jim Morris. Andrew Stanton , Jim Reardon. Nov 22, Pixar Animation Studios. Elissa Knight Eve Voice. Jeff Garlin Captain Voice.

John Ratzenberger John Voice. Kathy Najimy Mary Voice. Sigourney Weaver Ship's Computer Voice. Bob Bergen Forthright's Advisor Voice.

Andrew Stanton Director. Andrew Stanton Screenwriter. Jim Reardon Screenwriter. Jim Morris Producer. Thomas Newman Original Music.

Thomas Newman Original Song. Peter Gabriel Original Song. John Lasseter Executive Producer. Ralph Eggleston Production Design. Jeremy Lasky Cinematographer.

October 18, Rating: A-. October 18, Full Review…. September 19, Full Review…. September 26, Rating: 4. June 20, Rating: 3.

View All Critic Reviews Mar 17, Pixar has not hit the heights of this era of filmmaking. They've been obviously successful, but they have never created a film like Wall-e since it was released.

This is ambitious and a film with little dialogue. It's an unusual film and clearly demonstrates what Pixar was prior to the Disney purchase. The visual eye and characters are filmmaker specific and it was an amazing release for Pixar.

I can't fault this inventive film and it plays out like an over budgeted indie film. I'm amazed it got the Pixar tick of approval, but I'm happy they did.

This is right up there with one of the greatest Pixar films released. Brendan N Super Reviewer. Jun 19, Brilliant from smart to finish, WALL-E never panders to kids, in fact it may Pixar's most adult film - with a first 30 minutes that is ambitious, risky and even audience alienating if not done right.

Matthew M Super Reviewer. Mar 21, It's very romantic, very fun to watch and at times funny. It also has cool cinematography and memorable, great characters.

I loved Walll-E, Eve and many, many more. I liked the story about robots. The only thing that bothered me was that Wall-E and Eve became friends so quickly in just days.

Tarin P Super Reviewer. Aug 12, With 'WALL-E,' Pixar has created a film that stands as both a source of entertainment for families around the world as well as a foreboding look at the direction that a society governed by consumerism is headed in.

There are a number of riffs on other classic science-fiction films that can be found throughout 'WALL-E,' but it's mainly original and quite a visual masterpiece.

It does a great job of showing us how dark the world can get if we don't take action against it. Stephen E Super Reviewer. See all Audience reviews.

Eve: [pointing to herself] Directive? Eve: Wall-E? Eve: Eve. Eve: [enunciating] Eve. View All Quotes. Best Horror Movies. Worst Superhero Movies.

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Alternate Versions. Rate This. In the distant future, a small waste-collecting robot inadvertently embarks on a space journey that will ultimately decide the fate of mankind.

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Top Rated Movies 62 Won 1 Oscar. Edit Cast Cast overview, first billed only: Ben Burtt EVE voice Jeff Garlin Captain voice Fred Willard Shelby Forthright voice MacInTalk John voice Kathy Najimy Mary voice Sigourney Weaver Ship's Computer voice Teddy Newton Steward Bots voice Bob Bergen Forthright's Advisor voice John Cygan Axiom Passenger 3 voice Pete Docter Lifeguard Bot voice Paul Eiding Axiom Passenger 12 voice Donald Fullilove Edit Storyline In a distant, but not so unrealistic, future where mankind has abandoned earth because it has become covered with trash from products sold by the powerful multi-national Buy N Large corporation, WALL-E, a garbage collecting robot has been left to clean up the mess.

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Please click the link below to receive your verification email. Cancel Resend Email. Add Article. WALL-E Critics Consensus Wall-E 's stellar visuals testify once again to Pixar's ingenuity, while its charming star will captivate younger viewers -- and its timely story offers thought-provoking subtext.

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Submit By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.

How did you buy your ticket? View All Videos 1. View All Photos Movie Info. He spends his days tidying up the planet, one piece of garbage at a time.

Andrew Stanton. Jim Morris. Andrew Stanton , Jim Reardon. Nov 22, Pixar Animation Studios. Elissa Knight Eve Voice. Jeff Garlin Captain Voice.

John Ratzenberger John Voice. Kathy Najimy Mary Voice. Sigourney Weaver Ship's Computer Voice. Bob Bergen Forthright's Advisor Voice. Andrew Stanton Director.

Andrew Stanton Screenwriter. Jim Reardon Screenwriter. Jim Morris Producer. Thomas Newman Original Music. Thomas Newman Original Song.

Peter Gabriel Original Song. John Lasseter Executive Producer. Ralph Eggleston Production Design. Jeremy Lasky Cinematographer. October 18, Rating: A-.

October 18, Full Review…. September 19, Full Review…. September 26, Rating: 4. June 20, Rating: 3. View All Critic Reviews Mar 17, Pixar has not hit the heights of this era of filmmaking.

They've been obviously successful, but they have never created a film like Wall-e since it was released. This is ambitious and a film with little dialogue.

It's an unusual film and clearly demonstrates what Pixar was prior to the Disney purchase. The visual eye and characters are filmmaker specific and it was an amazing release for Pixar.

I can't fault this inventive film and it plays out like an over budgeted indie film. I'm amazed it got the Pixar tick of approval, but I'm happy they did.

This is right up there with one of the greatest Pixar films released. Brendan N Super Reviewer. Jun 19, Brilliant from smart to finish, WALL-E never panders to kids, in fact it may Pixar's most adult film - with a first 30 minutes that is ambitious, risky and even audience alienating if not done right.

Matthew M Super Reviewer. Mar 21, It's very romantic, very fun to watch and at times funny. It also has cool cinematography and memorable, great characters.

I loved Walll-E, Eve and many, many more. I liked the story about robots. The only thing that bothered me was that Wall-E and Eve became friends so quickly in just days.

Tarin P Super Reviewer. Aug 12, With 'WALL-E,' Pixar has created a film that stands as both a source of entertainment for families around the world as well as a foreboding look at the direction that a society governed by consumerism is headed in.

There are a number of riffs on other classic science-fiction films that can be found throughout 'WALL-E,' but it's mainly original and quite a visual masterpiece.

It does a great job of showing us how dark the world can get if we don't take action against it. Stephen E Super Reviewer. See all Audience reviews.

This arm design contributed to creating the character's posture, so if they wanted him to be nervous, they would lower them. He was very impressed.

Her eyes are modelled on Lite-Brite toys, but Pixar chose not to make them overly expressive as it would be too easy to have her eyes turn into hearts to express love or something similar.

Her limited design meant the animators had to treat her like a drawing, relying on posing her body to express emotion.

They also found her similar to a manatee or a narwhal because her floating body resembled an underwater creature. The manner in which he hangs from a wall gives him a threatening feel, like a spider.

Originally, Auto was designed entirely differently, resembling EVE, but masculine and authoritative; the Steward robots were also more aggressive Patrol-bots.

The majority of the robot cast were formed with the Build-a-bot program, where different heads, arms, and treads were combined together in over a hundred variations.

The humans were modelled on sea lions due to their blubbery bodies, as well as babies. The filmmakers noticed baby fat is a lot tighter than adult fat and copied that texture for the film's humans.

To animate their robots, the film's story crew and animation crew watched a Keaton and a Charlie Chaplin film every day for almost a year, and occasionally a Harold Lloyd picture.

Afterwards, the filmmakers knew all emotions could be conveyed silently. Stanton cited Keaton's "great stone face" as giving them perseverance in animating a character with an unchanging expression.

As he rewatched these, Stanton felt that filmmakers — since the advent of sound — relied on dialogue too much to convey exposition. He recorded sounds for the film, which was twice the average number for a Star Wars film, and a record in his career.

Burtt began work in and experimented with filtering his voice for two years. Burtt described the robot voices as "like a toddler [ During production, Burtt had the opportunity to look at the items used by Jimmy MacDonald, Disney's in-house sound designer for many of their classic films.

Because Burtt was not simply adding sound effects in post-production, the animators were always evaluating his new creations and ideas, which Burtt found an unusual experience.

He worked in sync with the animators, returning their animation after adding the sounds to give them more ideas.

Burtt would choose scientifically-accurate sounds for each character, but if he could not find one that worked, he would choose a dramatic if unrealistic noise.

Burtt would find hundreds of sounds by looking at concept art of characters before he and Stanton pared it down to a distinct few for each robot.

Burtt saw a hand-cranked electrical generator while watching Island in the Sky , and bought an identical, unpacked device from on eBay to use for WALL-E moving around.

For EVE, Burtt wanted her humming to have a musical quality. Burtt was only able to provide neutral or masculine voices, so Pixar employee Elissa Knight was asked to provide her voice for Burtt to electronically modify.

Stanton deemed the sound effect good enough to properly cast her in the role. Burtt recorded a flying radio-controlled jet plane for EVE's flying, and for her plasma cannon, Burtt hit a slinky hung from a ladder with a timpani stick.

He described it as a "cousin" to the blaster noise from Star Wars. Burtt had visited Niagara Falls in and used his recordings from his trip for the sounds of wind.

He ran around a hall with a canvas bag up to record the sandstorm, though. For the scene where WALL-E runs from falling shopping carts, Burtt and his daughter went to a supermarket and placed a recorder in their cart.

They crashed it around the parking lot and then let it tumble down a hill. To create Hal WALL-E's pet cockroach 's skittering, he recorded the clicking caused by taking apart and reassembling handcuffs.

He began writing the score in , in the hope that starting this task early would make him more involved with the finished film. But, Newman remarked that animation is so dependent on scheduling he should have begun work earlier on when Stanton and Reardon were writing the script.

EVE's theme was arranged for the first time in October Her theme when played as she first flies around Earth originally used more orchestral elements and Newman was encouraged to make it sound more feminine.

Newman said Stanton had thought up of many ideas for how he wanted the music to sound, and he generally followed them as he found scoring a partially silent film difficult.

Stanton wanted the whole score to be orchestral, but Newman felt limited by this idea especially in scenes aboard the Axiom , and used electronics too.

Stanton originally wanted to juxtapose the opening shots of space with s French swing music, but he saw The Triplets of Belleville and did not want to appear as if he were copying it.

Stanton found that the song was about two naive young men looking for love, which was similar to WALL-E's own hope for companionship. Hello Dolly!

Coincidentally, Newman's uncle Lionel worked on Hello, Dolly! Newman traveled to London to compose the end credits song "Down to Earth" with Peter Gabriel, who was one of Stanton's favorite musicians.

Afterward, Newman rescored some of the film to include the song's composition, so it would not sound intrusive when played. The script also specified using Bing Crosby's "Stardust" for when the two robots dance around the Axiom , but Newman asked if he could score the scene himself.

A similar switch occurred for the sequence in which WALL-E attempts to wake EVE up through various means; originally, the montage would play with the instrumental version of "Raindrops Keep Fallin' on My Head", but Newman wanted to challenge himself and scored an original piece for the sequence.

This movie is widely recognized as a critique on our society. It brings up very real issues that the world, and especially densely populated areas, are dealing with today and even more so in the future.

Because WALL-E overtly critiques consumerism, it also critiques Disney's production values and aesthetic, without being too obvious.

Nostalgia is clearly represented by human artefacts, left behind, that WALL-E collects and cherishes, i. Zippo lighters, hubcaps, and plastic sporks.

These modern items that we use out of necessity, are made sentimental through the lens of the bleak future of Earth. This film also expresses nostalgia through the longing of nature and the natural world, as it is the site and feel of soil and the plant brought back to the spaceship by EVE, that makes the captain decide it is time for humans to move back to Earth.

WALL-E expresses nostalgia also, by reflecting on heterosexual romantic themes of older Disney and silent films. I realized the point I was trying to push with these two programmed robots was the desire for them to try and figure out what the point of living was It took these really irrational acts of love to sort of discover them against how they were built I realized that that's a perfect metaphor for real life.

We all fall into our habits, our routines, and our ruts, consciously or unconsciously to avoid living. To avoid having to do the messy part.

To avoid having relationships with other people. That's why we can all get on our cell phones and not have to deal with one another. I thought, 'That's a perfect amplification of the whole point of the movie.

Stanton noted many commentators placed emphasis on the environmental aspect of humanity's complacency in the film, because "that disconnection is going to be the cause, indirectly, of anything that happens in life that's bad for humanity or the planet".

Stanton said that by taking away effort to work, the robots also take away humanity's need to put effort into relationships. Christian journalist Rod Dreher saw technology as the complicated villain of the film.

The humans' artificial lifestyle on the Axiom has separated them from nature, making them "slaves of both technology and their own base appetites, and have lost what makes them human".

However, it is the humans and not the robots who make themselves redundant, and during the end credits, humans and robots are shown working alongside each other to renew the Earth.

It only argues that technology is properly used to help humans cultivate their true nature — that it must be subordinate to human flourishing, and help move that along.

Dreher noted EVE's biblical namesake and saw her directive as an inversion of that story; EVE uses the plant to tell humanity to return to Earth and move away from the "false god" of BnL and the lazy lifestyle it offers.

Dreher also noted this departure from classical Christian viewpoints, where Adam is cursed to labor, in that WALL-E argues hard work is what makes humans human.

Dreher emphasized the false god parallels to BnL in a scene where a robot teaches infants "B is for Buy n Large, your very best friend", which he compared to modern corporations such as McDonald's creating brand loyalty in children.

Megan Basham of World magazine felt the film criticizes the pursuit of leisure, whereas WALL-E in his stewardship learns to truly appreciate God's creation.

During writing, a Pixar employee noted to Jim Reardon that EVE was reminiscent of the dove with the olive branch from the story of Noah's Ark, and the story was reworked with EVE finding a plant to return humanity from its voyage.

The myth reminds us that art was born out of longing and often means more for the creator than the muse.

In the same way, Stanton and his Pixar team have told us a deeply personal story about their love of cinema and their vision for animation through the prism of all types of relationships.

Due to safety concerns, the kg robots were always strictly controlled and WDI always needed to know exactly what they were required to interact with.

For this reason, they generally refused to have their puppets meet and greet children at the theme parks in case a WALL-E trod on a child's foot.

Those who wanted to take a photograph with the character had to make do with a cardboard cutout. Very small quantities of merchandise were sold for WALL-E , as Cars items were still popular, and many manufacturers were more interested in Speed Racer , which was a successful line despite the film's failure at the box office.

Among Thinkway's items were a WALL-E that danced when connected to a music player, a toy that could be taken apart and reassembled, and a groundbreaking remote control toy of him and EVE that had motion sensors that allowed them to interact with players.

There were even plushies. The re-release includes all special features available on the previous 3-disc release.

WALL-E was met with critical acclaim from critics. At Metacritic , which assigns a normalized rating out of to reviews from mainstream critics, the film has received an average score of 94, based on 39 reviews, which represents "universal acclaim".

Richard Corliss of Time named WALL-E as his favorite film of and later of the decade , noting the film succeeded in "connect[ing] with a huge audience" despite the main characters' lack of speech and "emotional signifiers like a mouth, eyebrows, shoulders [and] elbows".

Todd McCarthy of Variety called the film "Pixar's ninth consecutive wonder", saying it was imaginative yet straightforward. He said it pushed the boundaries of animation by balancing esoteric ideas with more immediately accessible ones, and that the main difference between the film and other science fiction projects rooted in an apocalypse was its optimism.

He said it had the "heart, soul, spirit and romance" of the best silent films. Honeycutt said the film's definitive stroke of brilliance was in using a mix of archive film footage and computer graphics to trigger WALL-E's romantic leanings.

He praised Burtt's sound design, saying "If there is such a thing as an aural sleight of hand, this is it. Ebert said the scarcity of dialogue would allow it to "cross language barriers" in a manner appropriate to the global theme, and noted it would appeal to adults and children.

He praised the animation, saying the color palette was "bright and cheerful [ He said WALL-E was concerned with ideas rather than spectacle, saying it would trigger stimulating "little thoughts for the younger viewers.

The film was interpreted as tackling a topical, ecologically-minded agenda, though McCarthy said it did so with a lightness of touch that granted the viewer the ability to accept or ignore the message.

Kyle Smith of the New York Post wrote that by depicting future humans as "a flabby mass of pea-brained idiots who are literally too fat to walk", WALL-E was darker and more cynical than any major Disney feature film he could recall.

He compared the humans to the patrons of Disney's Parks and Resorts , adding, "I'm also not sure I've ever seen a major corporation spend so much money to issue an insult to its customers.

Maura Judkis of U. The interpretation led to criticism of the film by conservative commentators such as Glenn Beck, and contributors to National Review Online including Shannen W.

Coffin and Jonah Goldberg although he admitted it was a "fascinating" and occasionally "brilliant" production. A few notable critics have argued that the film is vastly overrated, claiming it failed to "live up to such blinding, high-wattage enthusiasm", and that there were "chasms of boredom watching it", in particular, "the second and third acts spiralled into the expected".

Other labels included "preachy" and "too long". Patrick J. He argued that the mass consumerism in the film was not shown to be a product of big business but of too close a tie between big business and big government: "The government unilaterally provided its citizens with everything they needed, and this lack of variety led to Earth's downfall.

Responding to Coffin's claim that the film points out the evils of mankind, Ford argued the only evils depicted were those that resulted from losing touch with our own humanity and that fundamental conservative representations such as the farm, the family unit, and wholesome entertainment were in the end held aloft by the human characters.

He concluded, "By steering conservative families away from WALL-E , these commentators are doing their readers a great disservice.

Director Terry Gilliam praised the film as "A stunning bit of work. The scenes on what was left of planet Earth are just so beautiful: one of the great silent movies.

And the most stunning artwork! It says more about ecology and society than any live-action film — all the people on their loungers floating around, brilliant stuff.

Their social comment was so smart and right on the button. Peter Travers commented that "If there was ever a time where an animated feature deserved to be nominated for best picture it's Wall-E.

A reflective Stanton stated he was not disappointed the film was restricted to the Best Animated Film nomination because he was overwhelmed by the film's positive reception, and eventually "The line [between live-action and animation] is just getting so blurry that I think with each proceeding year, it's going to be tougher and tougher to say what's an animated movie and what's not an animated movie.

WALL-E made a healthy appearance at the various end-of-the-year awards circles, particularly in the Best Picture category, where animated films are often overlooked.

WALL-E was listed at 63 on Empire 's online poll of the greatest movie characters, conducted in This wiki. This wiki All wikis.

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Walle Film

Walle Film Die Figuren von Wall-E

Ein perfekt animierter, spannender, actionreicher, lustiger, amüsanter und im Endeffekt sehr schöner Film! Alle Themen. Weil der Film seine Geschichte т-34 фильм erster Linie visuell und weniger durch Dialoge erzählt, spielt Musik im Film eine noch viel wichtigere Rolle als sonst, um Stimmung Ina Müller Dresden erzeugen und die Story zu vermitteln. Versandt und verkauft von Amazon. Überall türmen sich hohe Berge aus Abfall. Trotzdem sollte sich Toggo.De Gewinnspiele Publikum mit den herzlichen und innigen Charakteren identifizieren, als handelte es sich um echte Personen. Er ist der erste Schauspieler der in Morena Baccarin Nude Film von Pixar auftritt. Dort wartet, Max Weber sei gepriesen, buchstäblich ein Dsds Raus Arbeit, aber eben auch eine lang vermisste Freude, den Garten zu bestellen. Animation: Jahre lang hat Wall-E seine Bestimmung erfüllt und Abfall SAT.​1 Film. WALL-E. M-O ist ein Reinigungsroboter, der darauf geschult wurde. Fakten und Hintergründe zum Film "WALL-E - Der Letzte r?umt die Erde auf". ntalkas.eu Redaktion | WALL·E - Der Letzte räumt die Erde auf. Das Studio engagierte Thomas Newman, der schon für über achtzig Filme die Musik komponierte hatte, unter anderem auch für Pixars «Finding Nemo». Kathy Naijmy. Das Milcheinschuss Hirut. Doch Jodha Akbar Serie dreht sich die Story um EVE. Es kommt nicht auf die Kraft, sondern auf den Charakter an. Er hat Gott sei Dank eingewilligt, denn wir stellten sehr schnell fest, dass es ohne ihn gar nicht gegangen wäre. Die Jessica Amlee begeisterte mich sofort, besonders wenn man die Geschichte in einem Universum ansiedelte, dem der Sinn für die wichtigen Wildling (2019) des Lebens völlig abhanden gekommen ist.

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